Moisés Kaufman is the founder and artistic director of Tectonic Theater Project, a Tony- and Emmy-nominated director and playwright, and a 2015 recipient of the National Medal of Arts. Mr. Kaufman’s Broadway directing credits include Harvey Fierstein’s Torch Song, the revival of The Heiress with Jessica Chastain, 33 Variations (which he also wrote) starring Jane Fonda (5 Tony nominations); Rajiv Joseph’s Pulitzer Prize finalist Bengal Tiger at the Baghdad Zoo with Robin Williams; and Doug Wright’s Pulitzer and Tony Award-winning play I Am My Own Wife with Jefferson Mays. His play The Laramie Project (which he wrote with the Tectonic Theater Project company) is among the most performed plays in America. Other credits include Gross Indecency: The Three Trials of Oscar Wilde (which he also wrote), The Tallest Tree in the Forest (Mark Taper, BAM), The Nightengale (La Jolla Playhouse), The Common Pursuit (Roundabout), Macbeth with Liev Schreiber (Public Theater), This Is How It Goes (Donmar Warehouse), One Arm by Tennessee Williams (New Group and Steppenwolf Theatre Company), the opera El Gato con Botas (Puss in Boots) at the New Victory Theater, and Master Class with Rita Moreno (Berkeley Repertory Theatre). Kaufman also co-wrote and directed the HBO film adaptation of The Laramie Project, which received two Emmy Award nominations for Best Director and Best Writer. He is an Obie winner and a Guggenheim Fellow in Playwriting.
Erin Courtney is an assistant professor in the Department of Radio/Television/Film and an award-winning playwright. Her play A Map of Virtue, produced by 13P and directed by Ken Rus Schmoll, was awarded an Obie and described as “one of the most terrifying plays of the past decade” by Alexis Soloski in The New York Times. A Map of Virtue was nominated for a GLAAD Award and has had numerous productions across the country. She earned her MFA in playwriting at Brooklyn College with Mac Wellman, and her BA from Brown University, where she studied with Paula Vogel. She has been a member of New Dramatists since 2012, a MacDowell Colony fellow, a Core Writer at the Playwrights’ Center, a member of the Working Farm at Space on Ryder Farm, and she was awarded a Guggenheim Fellowship in 2013. She previously served as an assistant professor at Brooklyn College and the program coordinator of its MFA playwriting program.
Mr. Kaufman is visiting through the Hope Abelson Artist-in-Residence Program, which was established at the School of Communication in 1990 through a generous gift from Hope Altman Abelson.
Please join the Northwestern University Black Arts Consortium for a symposium on “Black Arts Chicago: The Forgotten Story.” This is the first event in Northwestern’s yearlong Sawyer Seminar: “The Black Arts Archive: The Challenge of Translation.” The Fall symposium will engage the rich archive of Black arts in Chicago to explore the deep histories, social and political artistic movements, and players in the city’s tradition of Black arts from the nineteenth century to the present.
Supported by the Andrew W. Mellon Foundation, Northwestern’s 2020-2021 Sawyer Seminar will include a series of symposiums, graduate courses, and a summer institute focusing on various archives of Black arts across the African Diaspora. The project emphasizes three regions: Chicago, the Caribbean (Bahamas, Puerto Rico, Jamaica, and Haiti), and South Africa. With the goal of generating a sustained conversation over the course of the year, “The Black Arts Archive: The Challenge of Translation” Sawyer Seminar will feature a series of visiting artists and scholars from the three regions who will engage the theme of translation and the archive.
Kemi Adeyemi is Assistant Professor of Gender, Women and Sexuality Studies and Director of The Black Embodiments Studio, an arts writing incubator and public lecture series, at the University of Washington. Her work uses performance as a site and methodology for theorizing the contours of contemporary black queer life. Her book, Feels Right: Black Queer Women’s Choreographies of Belonging in Chicago (Duke University Press), and co-edited volume, Queer Nightlife (University of Michigan Press), are forthcoming. Recent writing has appeared in GLQ, Women & Performance, and the Routledge Handbook of African American Art History.
Theaster Gates is a professor at the University of Chicago in the Department of Visual Arts and the Harris School of Public Policy, and is Distinguished Visiting Artist and Director of Artist Initiatives at the Lunder Institute for American Art at Colby College. In 2010, Gates created the Rebuild Foundation, a nonprofit platform for art, cultural development, and neighborhood transformation that supports artists and strengthens communities through free arts programming and innovative cultural amenities on Chicago’s South Side. Gates has exhibited and performed at Tate Liverpool, Haus der Kunst, Walker Art Centre, Palais de Tokyo, Sprengel Museum, Kunstmuseum Basel, National Gallery of Art, Art Gallery of Ontario, Fondazione Prada, and dOCUMENTA (13). He was the winner of the Artes Mundi 6 prize and a recipient of the Légion d’Honneur in 2017. He was awarded the Nasher Prize for Sculpture, and the Urban Land Institute J.C. Nichols Prize for Visionaries in Urban Development. Gates received the 2020 Crystal Award for his leadership in creating sustainable communities.
Tempestt Hazel is a curator, writer, and co-founder of Sixty Inches From Center, a Chicago-based arts publication and archiving initiative that has promoted and preserved the practices of BIPOC and LGBTQIA+ artists, and artists with disabilities across the Midwest since 2010. Her curatorial work and work with Sixty was recently recognized with a J. Franklin Jameson Archival Advocacy Award from the Society of American Archivists. She is also the Arts Program Officer for the Field Foundation. Her work at Field explores the ways in which Chicago’s artists, cultural workers, and their communities can challenge the systems that stifle their ability to thrive, and to develop alternative models that encourage self-determination, benefit communities, and align with community-identified needs, culture, and values. Tempestt was born and raised in Peoria, Illinois, spent several years in the California Bay Area, and has called Chicago her second home for over 12 years.
Ms. Maséqua Myers, former Executive Director of Chicago’s historic South Side Community Art Center, is an award winning theatre and film Producer, Director, Actor, Youth Mentor and Arts Administrator. Maséqua created Ajabu (Ah-jah-boo), the first children’s theatre company in Chicago and developed and directed the internship program for the feature film “Of Boys And Men”, starring Angela Bassett and Robert Townsend. Maséqua directed the groundbreaking
documentary, Nineteen and a Day, and the short film series highlighting “The Life and Times of Jean Baptist Point Dusable. The Women’s Board of the DuSable Museum of African American History awarded her the “Margaret Burroughs Legacy Award” and she received the Deloris Jordan “Excellence in Community Leadership” Award at the 2018 Black Harvest Film Festival. Ms. Myers is the Founder and CEO of Masequa Myers & Associates, a multimedia and arts consultation and production company, founded in 1992, during her two decades of relocation to Los Angeles, California.
John L. Jackson
Dean E. Patrick Johnson is pleased to invite you to attend his inaugural
Dialogue with the Dean
a series of conversations with emerging and established communicators who are advancing the futures of their fields, challenging paradigms, and promoting social justice
Dialogue with John L. Jackson
Wednesday, October 14
6:30-8 pm (CT) on Zoom
John L. Jackson, Jr., is the Walter H. Annenberg Dean of the Annenberg School for Communication and Richard Perry University Professor at the University of Pennsylvania. He was previously Dean of the School of Social Policy & Practice and Special Adviser to the Provost on Diversity at Penn. Jackson earned his B.A. in Communication (Radio/TV/Film) from Howard University, completed his Ph.D. in Anthropology from Columbia University, and served as a junior fellow at the Harvard University Society of Fellows before becoming Assistant Professor of Cultural Anthropology at Duke University.